When the Moon Threatened the Earth

Menace_from_the_MoonBOOKS AROUND MACHEN

No. 4: The Menace from the Moon: Dale Nelson treats us to a review of a forgotten science fiction novel by Bohun Lynch, Machen’s caricaturist.


Noted Scholar Douglas A. Anderson has published an article on the centenary of The Shining Pyramid by Arthur Machen.


NEW POETRY

Brief As Memory by Joshua Alan Sturgill

Jesse K. Butler has published at the Blue Unicorn.


THE WEEKLY MACHEN

The Critics and Mr. Henry James’s Style: The late Mr. George Wyndham once said, and said most beautifully and wisely, that there are certain things which, though perceived by the senses, must be effectually received and laid hold on by faith. These things were, I think, the flaming colour of a rose at dawn, the first kiss of the beloved, and the sudden appearance of an army in array of battle. And to these three objects to be apprehended by faith, I think I must add a fourth— the style of Mr. Henry James.

Update on Machen Books

Congratulations to Richard W. Rohlin on his successful Kickstarter campaign. You can still support his Amboria project.


CATALOG UPDATE

Reader-CoverA Reader of Curious Books is now out-of-print. This summer, a second edition will be published alongside a new printing of Dreamt in Fire: The Dreadful Ecstasy of Arthur Machen. Both books will include extra material and will be issued in hardcover and paperback formats. For now, Mist and Mystery and The Great Return are still available for purchase.


NEW POETRY

It Hasn’t Seen by Joshua Alan Sturgill


THE WEEKLY MACHEN

In a Kentish Hop Garden: Below me the great green hop sea, dipping and rising with the ground, a splendid spectacle of fertility; and everywhere the dark green of the leaf was flecked with the hanging, yellowing clusters. I have seen no richer sight amongst the vineyards of France.

Exploring the Back Streets

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NEW POETRY

Based On A True Story by Joshua Alan Sturgill


THE WEEKLY MACHEN

Wonderful London: It was a large square, and it was built entirely in sham Gothic. The walls were of grey brick, the moulding and arches and ornaments were painted a lively cream colour, and, save that three or four numbers has recessed porches, every house was exactly like every other house. Some day, I am to write an exhaustive history of Sham Gothic Architecture, and so, as an expert, I may say that this square was intended to be of the style of 1500. Its stillness was appalling; I suppose the painted mouldings had scored the inhabitants into silence, and I fled shuddering.