The Ancient Modern
A Series of Reflections on Poetics, Personhood & the Cosmos by the Author of As Far As I Can Tell & Now A Major Motion Picture
256. The Archangel Contemplates A Buddha
255. The Tale of the Two Guides
252. Motion Picture Soundtrack
251. Texit (with Audio)
250. One Question Asked Three Ways
248. I’ll Step Now Down (with Audio)
240. What I Think When I Think Of The Moon
233. Seven Images of Opposition
228. I Tried Walking Off The Job
225. The Sunday of the Paralytic
224. Whereunto Shall I Liken This Generation?
220. In Praise of Arthur Machen
212. Song of the Pacific Boatman
204. Heir of Prophecies, Part X
203. Heir of Prophecies, Part IX
202. Heir of Prophecies, Part VIII
201. Heir of Prophecies, Part VII
200. Heir of Prophecies, Part VI
199. Heir of Prophecies, Part V
198. Heir of Prophecies, Part IV
197. Heir of Prophecies, Part III
196. Heir of Prophecies, Part II
195. Heir of Prophecies, Part I
184. A System of Cross-Referenced Files
182. Another Dream of Yellow Millet
168. On Leaving Two Spaces After A Sentence
163. A Little Rhyme About Trash
159. Three Stories of Education
158. The Chrysoberyl Necklace… Fairies & Ghosts
143. All the Writing of the World
142. Silent Water, Spoken Light
141. Le Pays de L’Amour-Propre
137. Awake in the World of Dreams, Part 5…Fairies & Ghosts
135. To Write A Poem Like Baudelaire
134. Old Tom Has Some Work To Do
133. Terms of Venery for Solitary Birds
131. Awake in the World of Dreams, Part 4…Fairies & Ghosts
130. Awake in the World of Dreams, Part 3…Fairies & Ghosts
129. It’s a Lifelong Singalong, If You Let It Be
127. Awake in the World of Dreams, Part 2…Fairies & Ghosts
125. Beautiful Moon! Bella Luna!
124. Awake in the World of Dreams, Part 1… Fairies & Ghosts
122. Two, Hearts, Two Paths, Two Ends
115. The Woman Who Followed the Wind… Fairy Tales and Ghost Stories
114. The Terror of the Day’s Routine
113. I Saw the Wonder and Glory
112. The Elixir of Life Continued
108. Isolation and Permanence During the Pandemic
102. Stories from the Other World
96. The Boy Who Tasted the Moon
89. We Dream of Cosmic Laundry
84. To Craft a Recognizable Story
81. Comparing the Metaphysical Triads
80. As the Beginning, So the End
79. Poetry and the Image of God
78. Stress, Sensitivity and the Inner Life
77. Overlooking a River Downstream from a Clearcut Forest
76. The Lost City, A Fairy Tale… Thin Places
75. On the Way to Church Today
71. The Eighth Step Is the Water
69. Returning to a Symbolic Worldview
68. Reflections on Lalibela, the Spiritual Heart of Ethiopia
63. Searching for the Center, Part 3
62. Searching for the Center, Part 2
61. Searching for the Center, Part 1
60. Two Birds Over the Sky in Addis…
57. Dream Tornadoes Make Deadly Company
56. My Impressions on Safari: The Infinite and the Absolute
53. Late Night on the Favorite Five
51. Interpreting Asian Poetry: Passivity or Conservation?
50. A Reaction to the Recently Televised Self-Surgery
47. On the Relationship of Good & Evil in Religion & Fairytales
43. Literacy as Medicine for Obsessive Thoughts
39. The Importance of Modern Art
38. The Carpenter’s Wife, a Fairy Tale
35. A Combination of Wings… A Fairy Tale in Verse
31. Some Advice for Contemporary Mesopotamians
29. Ambrose and the River Troll
28. I Am Drinking With Li Bai In New Mexico And We Interrogate The Moon!
25. Why You Should Read Arthur Machen
24. Another Wednesday in Africa
20. A Forgotten Tale of the Early Church
17. Who Walks When I Am Walking (A Poem in Prose)
Comments on Reflection XII: Handmade Beauty:
The connection between how we express ourselves non-verbally, and non-physically, using the grammar and language as we put forth as words on paper (handwritten or typed, but not typed into an electronic document), usually distinguishes the amount of effort that we are willing to put into any matter.
In this short reply, I am using a dictation program (Dragon) that allows me to “write” without typing or using a writing instrument such as a pen or pencil. What I say can be edited (and usually is edited, at least lightly), but I can never achieve the focus that comes from the slower writing process of using a pen on paper. I can type quickly and I can speak quickly, and– just ask my wife– my words usually somehow get me into trouble. The pen forces us to think-ahead, and that can only help us, right?
I believe that setting our thoughts down for others to read is a sort of Beauty in itself. I would not have used that word, but I like how Joshua used it and has coined it for himself. Whether putting my thoughts down through writing using script or typing a few words into an online blog, many of us are trying to get our world-view across to others. I’ve never been able to write well in cursive. I can hardly remember how to write a capital Q or Z in script. For this reason, when I write, I use the method I first learned: printing.
I went to elementary school in the early 1980s. Even back then, in a rural town on the East Coast, handwriting was being deemphasized in general. The typewriters had arrives many decades before the 80s, and my first use of a computer at school happened in about 1984. We were introduced to computers as newfangled typewriters.
The loss of handwriting is a valid point here, but even worse, is the loss of Beauty that Joshua sees coming from our handwriting. I believe our thoughts ought to be the Beauty, not how we choose to express them. How we choose to express this Beauty is a personal choice for most of us. For Joshua, it seems, handwriting is important (and it is important for me too), but for others who have limited experience with this method of communication, the tool of choice is probably a computer keyboard or a phone’s touch screen– at least in the Western world where technology is readily available.
However a person chooses to express their Beauty– if there is beauty inside of them– seems valid. In the same way that a person can use Adobe Photoshop or Illustrator to manipulate digital “matter,” others will use acrylic or oil paints on canvas to actually paint. For my writing methods, I choose to dictate, handwrite, and type. All of these methods allow me to express what I hope is Beauty.
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I really enjoyed this thoughtful post. I think you’re right about expressing the beauty any way we are able. I wonder if what grieves me most about the loss of handwriting is a loss of tradition and connection with past generations of pre-keyboard writers. I’ve heard that C.S. Lewis and Rene Guenon, as examples, handwrote whole manuscripts that required very little editing. How did they sustain a single narrative for such a long time!? I’m feeling good if I can get through a whole typed paragraph without the urge to check my phone! Slow, sustained thought, handwriting, expression of story and philosophy – the “beauty inside” – the connections seem deep, but fragile.
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